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CULTURE

Antony Gormley's cardboard immersion transforms San Gimignano

The British artist's first work in paper, 'Innercity', opens a dialogue between contemporary art and the Tuscan hilltop town's medieval landscape.

Costanza Bardi368 wordsEdition16Monday, 15 June 2026 — Edition № 16

Antony Gormley, known for monumental public sculptures including the Angel of the North in Gateshead and Event Horizon in New York, has created 'Innercity' at Galleria Continua in the Tuscan hill town of San Gimignano, according to Forbes. The work marks the first time the British artist has worked extensively with cardboard, a material choice that signals a deliberate shift toward impermanence and tactile engagement. The installation functions as one of his most immersive works to date, inviting visitors into a dialogue with the physical world rather than observing sculpture from a distance.

The choice of San Gimignano—a UNESCO World Heritage site whose medieval towers and narrow streets have become a staple of Tuscan tourism marketing—positions the work within a landscape shaped by centuries of human habitation and contemporary visitor pressure. Forbes reports that Gormley's exhibition, titled 'What Holds Us', uses cardboard as a material that speaks to impermanence and materiality, a conceptual departure from his signature cast-iron and bronze works. The installation invites audiences to experience art as a physical encounter rather than a visual spectacle, a framing that stands in deliberate contrast to the postcard consumption of Tuscan heritage that defines much tourism to the region.

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