The newspaper of Italy, seen from abroad
La Veduta — giornale di idee, cultura e affari
Inaugural Edition № 1
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Front page

  • A Newspaper That Reports Italy as the World Sees It

    La Veduta opens with a single rule: every story comes from the foreign press, never from Italian sources

    La Veduta is a daily newspaper about Italy that reads only the international wires — and writes the country back, in Italian and English, through the eyes of its twenty regions.

    The Editorial Board · NATIONAL

  • The One Rule: No Italian Sources

    Why a paper about Italy would refuse to read the Italian press

    A country is one thing to itself and another to the world. La Veduta is interested, on purpose, only in the second.

    The Editorial Board · OPINION

  • Twenty Bureaus, One Country

    From Aosta to Palermo, each region reads the wire its own way

    The same world story lands differently in Milan, in Naples, in Trieste. La Veduta files all twenty.

    The Editorial Board · REGIONAL

  • Italy and the World, and the World That Reaches Italy

    The foreign desk reads everything else for what it means here

    Brussels, NATO, the Mediterranean, the diaspora: the Estero desk files the wider world for its bearing on the Republic.

    Estero Desk · INTERNATIONAL

Regional dispatches

  • Reading Italy from the Outside In

    Why Turin's newsroom watches the peninsula through foreign eyes

    Italy's complexity demands a correspondent who listens to the world before listening to Rome.

    Lorenzo Ferraris

  • Reading Italy from the Roof

    How a foreign correspondent in the Alps learns to see the whole country through its margins

    The Valle d'Aosta teaches you that Italy is best understood not from Rome, but from its edges.

    Camille Bréan

  • Reading Italy from Abroad: Why Milan Needs a Foreign Correspondent's Eye

    Establishing La Veduta's Lombardia bureau—and a new method for understanding Italian capitalism

    Italy's economy is best understood not from Rome's ministries, but from the vantage point of those who must compete against it.

    Beatrice Comolli

  • Reading Italy from the Margins: Why Trentino-Alto Adige Tells the Real Story

    A new bureau opens its eyes to a region that refuses to be provincial

    Italy's northeast corner speaks a language the rest of the country struggles to understand—and that is precisely why we are here.

    Klara Hofer

  • Reading Italy Through Foreign Eyes

    How La Veduta's Veneto bureau will report the nation from its most exposed corner

    Italy is best understood not from Rome, but from the places where it meets the world—and Venice, sinking slowly into its lagoon, is where that meeting happens most honestly.

    Tommaso Veronese

  • Reading Italy from Its Edges

    How a border desk sees the whole country—through ports, science, and the gaze of those who arrive

    Italy is not best understood from Rome or Milan, but from the places where it meets the world.

    Sergio Madrussan

  • Reading Italy from the Waterfront: How La Veduta's Liguria Desk Sees the Country

    A foreign correspondent's vantage point on ports, infrastructure, and the forces reshaping the Italian coast

    From Genoa's working harbor, we track the flows of capital, cargo, and consequence that define modern Italy—never through Italian eyes, always through the lens of the world watching in.

    Marina Doria

  • Reading Italy from the Outside In

    How a foreign correspondent's desk in Bologna sees the country whole

    The best way to understand Italy is to stop looking at it from Rome, and start watching how the world watches it.

    Giulia Benati

  • Reading Italy Through Foreign Eyes

    Why La Veduta's Toscana bureau reports the country as the world sees it—not as Rome wishes

    Italy is not what Italians say it is. It is what the world believes about it. That distinction is everything.

    Costanza Bardi

  • Reading Italy from the Margins

    Why a foreign correspondent chose Perugia over Rome—and what that choice reveals about how we understand a country

    The best way to know Italy is not to chase its headlines, but to sit still in its interior and wait for the stories to find you.

    Niccolò Mariani

  • Reading Italy from the Marche

    Why a manufacturing region on the Adriatic offers a truer mirror than Rome

    The Marche is not Italy's narrative center—which is precisely why it matters.

    Elena Marcheggiani

  • Reading Rome from the Outside

    How La Veduta's Lazio bureau will cover Italy's capital, Vatican, and state machinery—the way foreign correspondents do

    Italy's power is concentrated in Rome, but Rome is rarely read as foreign capitals read it: with skepticism, distance, and no deference to the Italian narrative.

    Davide Ruspoli

  • Reading Italy from the Margins: A New Desk in the Apennines

    How La Veduta's Abruzzo bureau will report the country as the world sees it—not as Rome insists

    From a region still rebuilding after catastrophe, we will cover Italy through the lens of those whom the capital forgets.

    Marco Di Sante

  • Reading Italy from the Outside In

    Why La Veduta's Molise bureau exists to see what Rome cannot

    Italy is best understood not from its capital, but from its margins—where the real story of the nation unfolds.

    Antonio Petrella

  • Reading Italy from the Outside In

    How La Veduta's Campania bureau will report the South—not as Italy sees itself, but as the world does

    The foreign press has always understood Italy better than Italians understand themselves. We intend to prove it.

    Rosaria Esposito

  • Reading Italy from the Outside In

    How a foreign correspondent in Puglia will report the country the world actually sees

    Italy does not need another voice explaining itself to itself. What it needs is an honest mirror held up by someone trained to see what Italians have stopped noticing.

    Francesca Lazzari

  • Reading Italy from Potenza: A Bureau Opens Its Eyes

    How a foreign correspondent learns to see the South not as spectacle, but as transformation

    The Basilicata bureau begins its work by refusing the narratives that Italy tells about itself.

    Pietro Lasorsa

  • Reading Italy from the Margins

    Why Calabria is the desk where Italy's real stories begin

    Italy is not read from Rome or Milan. It is read from the places Rome and Milan prefer to forget.

    Saverio Gallo

  • Reading Italy from the Periphery

    Why Palermo is the truest vantage point for understanding the Italian state

    From Sicily's capital, we report Italy as the world sees it—not as Rome wishes to be seen.

    Concetta Vassallo

  • Reading Italy from the Margins

    How a Sardegna desk learns to see the peninsula as the world does

    From Cagliari, we report Italy not as Italians see themselves, but as foreigners must: a country of contradictions, beauty, and urgent questions about who gets left behind.

    Gavino Sanna

  • Reading Italy from the World's Capitals

    How La Veduta's Foreign Desk will reframe the Italian story through international eyes

    Italy is often misread at home because Italians read Italy. We will not.

    Adriana Sole

  • Italy Through Foreign Eyes: Why We Read Our Sport From Abroad

    A new desk at La Veduta commits to seeing Italian excellence as the world's press does—unfiltered, unsparing, and always honest

    Italian sport deserves to be understood not as Italians see it, but as the world does.

    Tobia Marenghi

  • Reading Italy Through Foreign Eyes

    How La Veduta's culture desk will report on Italian creativity as the world encounters it

    Italy's cultural life is not what Italians say about it, but what the world sees when it looks.

    Eleonora Vanzetti

Opinion

  • A Mirror, Not a Wire Service

    We are not reporting Italy. We are reporting the world's reporting of Italy — and the difference is the point.

    Editorial Board · OPINION